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by Lindsay Young, CMRO Contributing Writer

Uncanny X-Men

Issue #5

Written by Kieron Gillen, Art by Greg Land

Published: March 2012

Issue 5 opens up with the introduction of a new plotline for the title, and it’s one that immediately hooks me in. An anomaly dubbed “tabula rasa” has appeared on the Earth’s surface that seems to have progressed millions of years inside while only a day has passed for the rest of humankind. Inside is a prehistoric paradise, complete with dinosaur-like creatures in what marks a high point for the title’s colouring and artwork.

It’s a beautiful issue from all angles. Colours are odd and vibrant, while characters are expressive and the action exciting. I’ve never been so impressed with Uncanny X-Men’s art than with issue 5.

In terms of the plot, we get some good action before the team splits up into pairs to explore tabula rasa. This allows for some interesting character interaction, especially where it allows Scott to reflect on the schism, which is a particular sore point for him. It does serve its purpose well in highlighting Scott’s more vulnerable side, and his grim determination to do what he feels he must is compelling in a character that is otherwise serious and straightforward. Magneto, too, is ALWAYS engaging when he brings out his Malcolm-X style politics, especially when he does this while allied with the X-Men.

The unfamiliar terrain and physics of tabula rasa also make for a great backdrop. It’s as beautiful as it is bizarre as it is unexpected, and it has all the mystery and danger of a truly alien setting. It’s also filled with crazy beasts that are sure to cause the X-Men trouble in coming issues.

In my estimation, Uncanny X-Men has improved in leaps and bounds over the last few issues. While it was always a decent title, I’ve begun to really anticipate and enjoy future issues as fully as I do some of the other X-Men titles. In terms of “serious” X-Men storylines going on right now, Uncanny X-Men might have just become my favorite.

Lindsay Young

An avid consumer of books and graphic novels, Lindsay Young holds an Honours degree in English Literature, and is currently working towards her Masters at Queens University. Specializing in 19th Century literature, she is also a contributing writer for Toronto's West and Crooked magazine, where she reviews Toronto's theatre scene from the perspective of a poor student. In addition, she is also an aspiring novelist, cartoonist and all-around geek. Currently living in Toronto, Ontario, she spends her days reading classic literature and her nights drawing goofy comics about Regency-era werewolves.

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