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Oct 172012
 

by Charlie Brooks, CMRO Contributing Writer

Incredible Hulk

Issue #605

Written by Greg Pak, Art by Ariel Olivetti

Published: February 2010

The Incredible Hulk #605 marks the conclusion of Bruce Banner’s life lessons for his son. Not that Skaar has learned anything much, but things are going to have to come to a conclusion on that front due to the upcoming Fall of the Hulks storyline.

This time around, Banner and Skaar find themselves teleporting into New York City to fight off an invasion from the Mole Man, who always seems kind enough to pose his monsters in an homage to the cover of the first issue of Fantastic Four. But it turns out that the Mole Man is not out to actually conquer the world, but rather to offer the allegiance of his monsters to Skaar.

The Mole Man’s latest army is composed of creatures that were aboard the Hulk’s stone ship when he attacked New York in World War Hulk. Those monsters then bow down to Skaar, who they see as their true master. Banner definitely seems to have predicted this, apparently wanting to see if Skaar can follow the path of good when offered a chance to destroy. Banner also seems to have foreseen an attack from Tyrannus, the Mole Man’s rival and one of the Hulk’s oldest foes. In fact, Banner seems so unsurprised by the entire turn of events that Reed Richards is left worrying that he might have put millions of lives in danger just so he could deliver a teachable moment to his son.

In the end, Skaar rejects the allegiance of the monsters from Sakaar, killing them and wounding Tyrannus. Both Tyrannus and the Mole Man are sent packing, and Skaar is hailed by New Yorkers as a hero. The world is now ready to meet the new Hulk. But is Skaar ready for the old Hulk’s return?

The backup story concludes Lyra’s tale as she defeats the remainder of General Ryker’s goons. She manages to use trickery, allowing the enemy to absorb her powers and then using psychological warfare to make her angry. Absorbing Lyra’s power also means absorbing Lyra’s weakness, which means that anger makes her weaker. Lyra wins the day. And Ryker decides to back off for now. The story ends with a mystery person making Lyra a proposition, but we’ll have to wait for the Fall of the Hulks event to find out who this person is.

The backup story never really offered much in the way of surprises, but was never all that bad and allowed Lyra to strut her stuff. The main story is admittedly another in a series of seemingly random comic book battles, but it has a point to it and is overall extremely fun. There’s a lot of good humor and some nice bantering between Banner and his son. And the promise of the return of the real Hulk is something to look forward to. The art here is a bit uneven due to Ariel Olivetti and Paul Pelletier splitting chores once again. I don’t know if it’s the inking or not, but something about Pelletier’s pencils don’t seem to work well here. Regardless, The Incredible Hulk #605 is another very good entry in a very entertaining series. Hopefully that will continue as we plunge into the Fall of the Hulks event.

Oct 012012
 

by Charlie Brooks, CMRO Contributing Writer

Incredible Hulk

Issue #604

Written by Greg Pak, Art by Ariel Olivetti

Published: January 2010

Another Hulk comic, another random antagonist that comes out of nowhere. That seems to be the case with The Incredible Hulk #604, but in truth the sudden appearance of the Harpy at least points to the villain’s methods and motivation. It also gives us a hint of what is to come in the life of Bruce Banner.

The story begins on a fun note, with Banner teaching his son something that doesn’t involve getting his butt kicked by a Marvel villain. In this case, he’s playing football with the Warbound, Kate Waynesboro, and Rick Jones, who is still stuck as A-Bomb. Skaar doesn’t take to working with Banner well, though, and double-crosses his pop, letting Rick through to force a fumble. (By the way, Skaar – you’re drawing a holding penalty the way you’re blocking Korg, but I guess gamma football isn’t a stickler about penalties.)

Despite everyone having a good time, Banner is increasingly concerned about Skaar. He sees the boy as a monster, which is eerily reminiscent of how Bruce’s own father saw him. Banner teleports away from the fracas with Kate for some alone time. Sadly, all those who join me in wanting to see Bruce and Kate get together again as a couple are left to be disappointed, as they actually head into the sewers and search for one of the Leader’s hidden lairs.

It’s here that Giuseppe Camuncoli takes over the art duties from Ariel Olivetti, and because of the change in scenery the transition works well. We also see Greg Pak strut his stuff in getting to the core of Banner. He talks about the child trapped within Skaar and how angry it makes him to imagine his son stuck within that hulking form. Kate suggests just talking to Skaar, but despite Bruce’s newfound confidence he’s still a guy who doesn’t feel comfortable handling people. “I’d rather pick a process with fewer variables,” he says. For Bruce Banner, it is easier to manipulate Earth’s heroes and villains into a massive roulette of contingency plans rather than to just have a heart to heart with his own son. It’s a great moment that looks into the heart of what makes Banner a flawed character.

Things get even more complex for Banner when he looks through the Leader’s files and finds something on his dead wife Betty. Before he can draw any conclusions, Banner is attacked by the Harpy. For those who don’t know, the Harpy was introduced decades ago when the villain MODOK mutated an emotionally distraught Betty Ross with gamma radiation. Banner assumes this is in fact a resurrected Betty attacking him, and goes so far as to turn against his own son when Skaar tries to kill her. In reality, it’s not Betty at all but rather Marlo Jones, Rick’s wife. It appears the Leader has become adept at kidnapping Bruce’s friends and transforming them to gamma beings. And now the fact that Banner attacked his son has created a rift in an already fragile relationship.

In our backup story, Lyra continues her fight against Ryker’s gamma monsters, but the transformative process Ryker used leaves something to be desired. As one of the creations breaks down, the other holds the town the are fighting in hostage. Whether Lyra will take the noble way out and sacrifice herself to save innocents remains to be seen.

This issue is tremendous overall. While the appearance of the Harpy sort of comes out of nowhere, it does hint at the Leader’s long-term plans. The best part about the issue is by far the insight we get into Bruce Banner’s mind and the way his flaws around people hold him back from being able to just tell his son the truth. Greg Pak’s return has proven that Planet Hulk was no fluke in terms of quality, and it looks like the story is about to get even more interesting.

Sep 242012
 

by Charlie Brooks, CMRO Contributing Writer

Incredible Hulk

Issue #603

Written by Greg Pak, Art by Ariel Olivetti

Published: December 2009

The Incredible Hulk #603 brings Skaar face to face with the other son of a well-known Marvel character, Daken. The issue has some interesting implications about both Skaar and Banner, while revealing a larger threat.

Why Wolverine showed up popping his claws last issue is anybody’s guess. I suppose he just wanted to look cool for the last page. It turns out he’s there to talk to Skaar, but gets soundly trounced. Skaar leaps off and winds up confronting Daken in a bar. Back at the comic shop where the fight started, Wolverine warns Banner that Daken has set a trap for Skaar, but Banner reveals that he’s the one who tipped Daken off and set it. Banner also reveals that his shields can be diverted for offensive use, and he winds up blasting Wolverine around before the pair sit down and scout out what’s going on between Daken and Skaar.

Daken has apparently stopped trying to kill Wolverine, and Banner claims that he wants Skaar to learn a thing or two from that. But is that really his master plan? We’re not totally sure, since Banner himself is being particularly evasive lately. What is definitely not part of his master plan is when Skaar transforms into his smaller self and asks Daken to kill him. Banner and Wolverine join the fray, but with the Murasama blade that disables healing factors, Daken is able to get the upper hand on Skaar and nearly kill him.

It’s Banner who stops the fight by threatening to kill Wolverine in retaliation. Neither Daken nor Wolverine buys that Banner is a killer, but Banner reveals a bit about his past that changes their mind. Back in the 1990s, Peter David wrote Incredible Hulk -1, which revealed that Banner had accidentally killed his father. But this coupled with Greg Pak’s revelation in World War Hulk that the Hulk had never accidentally killed somebody suggests something darker about Banner: if Banner can run all the numbers and prevent the Hulk from killing, that means he must have killed his father on purpose. As Banner concludes, “Maybe the real reason I became the Hulk…was to protect the world from Banner.”

The bluff works, and Banner and Skaar leave the scene. All the while, though, they are being watched by the Leader, who seems to be healthy again and plotting something of his own.

Our backup story continues Lyra’s fight against super-foes created by General Ryker. We get a little bit of background on the program, and things spill over into a local town. This story is progressing slowly, but it’s also letting Lyra strut her stuff in the combat department, so it’s at least a decent way to build up a new superhero and introduce her to an audience who may not know who she is.

The first two issues of Greg Pak’s return were a lot of fun, but this issue is the one that really gets the character development rolling again. Even without the Hulk, we find that Banner is a dangerous man, possibly more dangerous than the monster inside him. Although Paul Pelletier shares the art duties here with Ariel Olivetti and they both have very different styles, the transitions are done smoothly enough that they don’t distract from the story. With an interesting character arc and now a bigger villain on the scene, this story is a great way to shift Greg Pak’s return to the title into higher gear.

Sep 202012
 

by Charlie Brooks, CMRO Contributing Writer

Incredible Hulk

Issue #602

Written by Greg Pak, Art by Ariel Olivetti

Published: November 2009

The Incredible Hulk #602 continues the story of Banner trying to bond with his son while simultaneously testing to see if he is powerful enough to take on the Hulk.

Today’s sparring partner is the Juggernaut, who has good reason to hate Banner. Due to the Hulk attacking the X-Men in World War Hulk: X-Men, Cain Marko went from being a hero back to embracing the dark side in order to regain his full power. Unfortunately, this detail doesn’t come up in story, but it does serve as some good background for the fight.

Banner continues to be very un-Banner-like, albeit with good reason. Since he doesn’t have to worry about turning into the Hulk, he can be cocky and aggressive while also showing off his genius. In this case he’s got a small town of LMDs that he set up as innocents for Skaar to save from the Juggernaut’s attack. The trick doesn’t work, though, since Skaar’s enhanced sense of smell clues him in to the fact that they’re robots rather than puny humans.

Skaar is willing to fight the Juggernaut, but makes the mistake of taking him straight on, which gets him stomped. This causes him to revert to his smaller gray-skinned self, which surprises Banner. The change is just a ruse to catch the Juggernaut off-guard, and with some trickery Skaar manages to punch Cain into orbit.

Problem solved, right? Well, not exactly. The X-Men and the Fantastic Four have been monitoring Banner, and Beast decides that he is more dangerous than the Hulk. The Hulk was content to stay on his own for the most part, while Banner actively goes about wrecking things up, including getting the Juggernaut active when the X-Men already had tabs on him. That might explain why Wolverine pops up with his claws ready at the end of this issue. Or maybe it’s part of Banner’s plan to continue Skaar’s training – we’ll have to wait until next issue to find out.

In the backup story, we find that General Ryker is working for Norman Osborn to capture Lyra. This doesn’t jive too well with Ryker’s characterization, since he was introduced as a mastermind who always has his own agenda. On the other hand, maybe he’s playing Osborn for some reason. Either way, the capture goes poorly, as Lyra manages to go into her warrior’s trance and escape, then destroys one of her pursuers before vowing to hunt the other two down. The backup story isn’t anything great, but it’s still a decent tale that shows off what makes Lyra a different She-Hulk than Jen Walters.

The series continues to be very strong. Banner is a fascinating character even without the Hulk, largely because we don’t know exactly what game he’s playing. Is he bonding with his son in a strange superhero way or training him to kill the Hulk? Whatever the answer, Greg Pak fills this issue with fun and fascination. Ariel Olivetti’s art is excellent as usual, although some of his backgrounds are a bit flat here. Overall, the adventures of Banner and son are a great read and well worth checking out.

Sep 172012
 

by Charlie Brooks, CMRO Contributing Writer

Incredible Hulk

Issue #601

Written by Greg Pak, Art by Ariel Olivetti

Published: October 2009

The Incredible Hulk #601 brings Greg Pak back to writing duties on the character, and it is a welcome reunion. During his previous run on the title, he dealt mostly with the Hulk and very little with Banner. So how does he fare when the tables are turned and Banner is around without the Hulk? Terrifically.

This issue picks up after the red Hulk drained the gamma energy out of Bruce Banner, removing his ability to transform. Without the shadow of the monster inside looming over him, Banner is free to be more aggressive. He’s also using his genius-level intellect quite a bit, and is now walking around with a bag full of super-tech. He showcases his new personality on the subway heading into New York City, where he witnesses an abusive father and within moments hacks his cell phone to learn everything about the man. Even as a puny scientist, Banner can be intimidating, and threatens to smash the abuser if he ever raises a hand in anger against his son again. Thus we see that even with the Hulk physically gone, he still has a presence in this book.

Kids are a touchy subject for Banner, largely because he had a very abusive father himself. With his son Skaar walking the world, he seems to want to do some parental bonding with the boy. After retrieving some of the Hulk’s weaponry from World War Hulk, he lures Skaar into a fight with a robot he designed to withstand nuclear explosions. Banner’s stated objective is to teach Skaar the skills he needs to learn to kill the Hulk when he comes back. To start the training off, he picks a fight with the Juggernaut.

This issue is a breath of fresh air after the long dry spell since Pak’s departure. He gets right into the groove of things very easily, giving us a Bruce Banner who is more assertive and proactive than ever before but who still feels like the scientist that was introduced way back in 1962. It’s especially great that Pak remembered that Banner is one of the smartest men in the world and an inventor who could give Reed Richards a run for his money. It’s even better that he knows about Banner’s abused childhood and plans to tie that into Bruce’s relationship with Skaar.

In addition to outstanding writing from Greg Pak, Ariel Olivetti’s art is very good in this issue. While his style might not be for everybody, it fits the story that is being told right now. Olivetti also makes sure to make Banner look truly puny. No colorist is listed in the credits, so I’m going to gamble and guess that Olivetti might have done this work himself. If so, then he also deserves credit for making Banner’s normally brown eyes a bright shade of green, emphasizing that the Hulk is not so far beneath the surface.

Our backup story deals with Lyra, the new She-Hulk, as she seeks out the missing Jen Walters, who disappeared in the previous issue. Lyra is lured into a trap by some foes whose powers resembles those of the Hulk’s rogues gallery. The mastermind behind all of this is General Ryker, an old Hulk foe who last appeared in World War Hulk: Gamma Corps. This is an interesting backup with a good premise, and it will be nice to see how Lyra develops from here on out.

The Incredible Hulk #601 is a great start to a new story, bringing us a new Banner and an interesting new direction. It’s one of the best single issues of the Hulk somebody can get, even if the Hulk himself doesn’t appear. Among all other things, this issue really emphasizes that even if he doesn’t transform, Bruce Banner is still the Incredible Hulk.

Aug 252012
 

by Lindsay Young, CMRO Contributing Writer

Thor: Heaven and Earth

Issue #1

Written by Paul Jenkins, Art by Ariel Olivetti

Published: September 2011

Thor: Heaven and Earth opens right up with an invasion of Asgard, with all the gods gathering to fight the incoming armies. The question is one everyone’s tongues: is this Ragnarok, the foretold end of the line for all the Norse gods? If not, it’s pretty tough to imagine anything worse than this. In order to get answers, Thor goes to see Loki, who has been imprisoned for his mischief.

The issue has a style that’s somewhat at odds with itself. The characters are all detailed and intricately shaded, but the backgrounds are often sparse, sometimes blank. It’s a bit jarring, and while the characters look great, if a bit over-muscled, the environment that they inhabit isn’t very convincing. It’s a similar mixed bag with the action poses, which sometimes lack strength or convincing motion. Characters are drawn with very faint lines, and while this occasionally sacrifices expression, it also has a very pretty look that goes well with the mythological background. Up-close, however, there’s some great facial art. It’s a bit like a painting–just not a very consistent one.

As for the story, the Thor/Loki confrontation occasionally became a bit too violent for me. I know that’s an odd complaint considering the source material, but it’s hard to root for Thor when he’s mercilessly beating his brother to a bloody pulp, all while Loki isn’t fighting back. It’s not that I expect Thor to be all daisies and sunshine, but it was a bit too cruel for me.

Despite this, I really liked Loki’s dialogue a lot. There’s a great sense of contrariness to him, and he delivers some philosophizing that’s captivating. The sense of doom and destiny is fantastic, and Loki comes across as wonderfully enigmatic, like some Shakespearian fool whose eyes are the only ones that see clearly. While it could be tighter, it’s still well-written enough to forgive many of my gripes.

Apr 122012
 

by Charlie Brooks, CMRO Contributing Writer

Punisher War Journal

Issue #12

Written by Matt Fraction, Art by Ariel Olivetti

Published: December 2007

The Punisher’s place in Marvel lore is an interesting one. Developed as an antagonist and later an ally for Spider-Man, he was once fairly unique in the Marvel Universe as a heroic character who killed. He lost that originality in the 1990s, when every superhero got a big gun and a dirtied up code of ethics, but still enjoyed a boom in popularity due to being the prototypical gritty guy with big guns. But somewhere in the 2000s, Marvel decided that the Punisher didn’t really fit into its superhero universe, reasoning that a guy with so few qualms about killing would be able to operate in the same place as Spider-Man, the Avengers, and the Fantastic Four without being arrested or killed by a supervillain (although apparently Wolverine leading a mutant death squad is okay with these guys because, hey, he’s Wolverine). This led to the Marvel Max line of comics, where the Punisher existed in his own universe without superheroes and just faced down everyday thugs. Meanwhile, Marvel tinkered with the concept of the Punisher existing in a world of super-powered beings while still maintaining his war on crime. This leads us to Punisher: War Journal #12, which brings the Punisher, aka Frank Castle, into World War Hulk.

Although this comic was published in the same month as World War Hulk’s conclusion, it takes place sometime during the middle, when the Hulk is still beating on superheroes and New York is mostly evacuated. Frank Castle rides into town and saves a little girl and her kitten from alien bugs led by Mung the Merciless. You might remember Mung from The Incredible Hulk #108, where he killed some SHIELD agents against orders from Miek, but this appearance has little connection to that one, as Mung is played much more for laughs here. The story revolves around Frank and his assistant (whose name is never mentioned here – sorry if you’re a new reader) trying to evacuate the girl’s family and a number of others who got left behind in New York. The implication is that the heroes ignored the lower class during the evacuation, which doesn’t make much sense since we saw the heroes specifically using telepaths and teleporters to evacuate everyone who even thought about aid, but maybe this is just the persecution complex of the Marvel citizenry kicking in.

For a Punisher story, the book is surprisingly light-hearted, with some truly ridiculous scenes. At one point, Frank goes to battle against some alien bugs with a sword gun. That is as it sounds – a gun that shoots swords. That boggles my mind, since despite having little knowledge of ballistics I know that a gun that shoot swords renders the strong points of both weapons moot. The issue climaxes with the Punisher fighting Mung in a suit that borrows technology from the Venom symbiote, basically giving Frank superpowers. That runs completely counter to Frank’s role as a guy who gets by on wit, will, and tactics, but if you don’t mind some silliness, then it’s still a fun fight.

Writing-wise, Punisher: War Journal #12 feels like a missed opportunity to me. It would have been cooler to see Frank take on the aliens using his actual military expertise, rather than a bunch of silly gadgets and superpowers. But if you ignore what could have been and focus on what this book is, you can probably enjoy it as a bit of a goofy romp through the otherwise serious events of World War Hulk.

Art-wise, Ariel Olivetti is terrific, but I have to insert a “but” there. Olivetti’s art is wonderful in just about any book he’s in, but some books suit his style better than others. For detailing a war-torn New York City and a guy like the Punisher, his talents are a little incongruous with the book itself. It’s not too jarring here, since this comic features a lot of jokes and gags, but it is hard to see the clean lines and exaggerated facial expressions and still think this is a Punisher book.

All told, Punisher: War Journal #12 represents Marvel’s problem with the Punisher in the 2000s: they don’t know exactly what they want. If you’re a Punisher fan and like the character as he has been written since the 1970s, then this book just doesn’t feel like that character. If you don’t mind a break in tone from Frank Castle’s usual brooding demeanor, though, this is a fun diversion and at least good for some laughs in the otherwise serious event of World War Hulk.

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