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Sep 122012
 

by Andrew Hurst, CMRO Contributing Writer

Wolverine

Issue #311

Written by Jeph Loeb, Art by Simone Bianchi

Published: October 2012

Part two of Jeph Loeb and Simone Bianchi’s sequel to 2007′s Evolution opens with some classic Wolverine snikts, bubs, and blood, and never loses its exciting pace throughout the book; however, though action packed, this issue’s story has less meat on its bones than Logan after a nuclear explosion.

Superman/Batman is a great example of how well Loeb is at entering a character’s mind without it becoming the expositional crutch on which to tell the story, but, unfortunately, all good things eventually come to an end. This issue reads like the second act of a big budget action movie, without all the without any of that annoy story depth, and usually I can over look something like that from a Wolverine comic, but personally, I was expecting more from a writer the quality of Jeph Loeb. I’ll go as far as saying this is not only one of Loeb’s weakest plots so far, but it’s some of his stiffest writing.

This title is quite a page turner, actually, but not so much for its script. Bianchi’s pencils are always beautiful and impactful, though just like Loeb, not the best work we’ve seen from him. Some panels fluctuated from the amazing Bianchi Wolverine we fell in love with five years ago, and some seemed very awkward and uncharacteristic of his style even.

They say sequels are never as good as the original, and so far that remains true with this story. There’s nothing wrong with a good ole popcorn comic every now and then, but with superstar creators like Loeb and Bianchi, a book like this leaves a lot to be desired. The insanely sexy and overtly mysterious female coupled with the tough, wise cracking action hero set up is just a little to B movie for me. That’s not the Jeph Loeb quality of storytelling I fell in love with.

I can’t hate this issue, but I’m obviously underwhelmed by it. It’s a lot less Martin Scorsese, and a lot more Michael Bay than I usually care for, but, hell; nothing wrong with a little Michael Bay every now and then.

Jul 242012
 

by Dylan Duarte, CMRO Contributing Writer

Wolverine

Issue #310

Written by Jeph Loeb, Art by Simone Bianchi

Published: September 2012

Jeph Loeb is one of the most well-known comic writers working today and for Wolverine #310 he sinks his figurative claws into Wolverine. It’s not surprising that when a big time writer comes to the title he brings back a big time villain. Initially I was a little concerned that Loeb felt like he had to do something grandiose; that maybe he was too high profile to do a smaller, more personal story. Fortunately, Loeb’s story is both grandiose and personal, as he resurrects Logan’s greatest enemy of all time – Victor Creed, otherwise known as Sabertooth.

Sabertooth isn’t alone, however. How could he be? He was dead. He died when Wolverine literally took his head off. Creed didn’t stay dead though, thanks to Romulus, a villain created by Loeb himself. For those unfamiliar with Romulus, he’s the leader of a group of human that evolved from canines. He made his first appearance just a handful of years ago and he’s been a pain in Wolverine’s neck ever since.

Loeb proves that whatever direction you take Wolverine in, no matter how large the story may be in scale, Logan always makes it personal. Wolverine is and always has been rage personified and that comes out of him in every situation he’s in. I actually think it might not be possible to do a Wolverine story that isn’t character based. Every conflict he finds himself in is a direct result of who he is as a person.

Comic book resurrection is a running joke. Nobody stays dead. Readers who take the medium seriously, such as myself, aren’t crazy about this. It goes without saying that it weakens the emotional impact every time a character is brought back from the dead. That’s still the case here, but at least Loeb has found a clever and organic way to go about it.

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